Landscape painting - moving on slowly

I should start by saying I don't do much landscape painting. I much prefer the solid objects of a still life or the fascinating features of a human face or a bird - subjects you can describe because of their definite shape and form.  I think that landscape is much more amorphous and vague and that makes it hard for me to get my teeth into it but sometimes it's good to step outside your comfort zone and try something you don't find easy.

We've had such glorious sunsets and sunrises this last couple of weeks I really wanted to try and capture the light between the bare trees, especially since we also have a covering of snow which adds to the drama by creating beautiful blue shadows.

At the moment this looks like nothing on earth but you have to start somewhere! All I'm doing is staining the canvas with dilute washes of acrylic paint. I've used Alizarin, Cerulean, Lemon Yellow and Titanium White with a touch of Mars Black to darken the crimson. My normal painting style is quite tight and controlled but I want this to be more about the atmosphere of early morning in the garden than it is about fiddly detail. I'm using bigger brushes than usual and silly as it sounds, I'm favouring longer brushes so I am farther away from the canvas as I paint!

Because the bare branches are so fine and delicate without their leaves in December, I'm experimenting with a technique that may or may not work. I've put down large blocks of colour in the areas that are the darkest and when they are completely dry I plan to overpaint with the pale sky colours again. I'm hoping that will mean I can scratch through the pale layer to reveal something of the dark beneath. Fingers crossed it'll be OK!

It's a leap of faith and if it does work you'll see the results here soon. If it's a tragedy I'll paint over it and you'll never see it again!

Hope you are making time for yourself to be creative in the run up to Christmas!
Bye for now, Linda x